The 2011 physical CD and digital master pressings occurred right at a peak era of high-fidelity digital recording engineering. Unlike heavily compressed modern streaming masters that suffer from the "loudness wars," the 2011 audio master retains its natural peaks and valleys. Audiophiles cherish this specific version because it respects the natural dynamics of a live jazz ensemble. Legacy and Conclusion
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The Best Is Yet to Come was released on February 4, 2011, as a 20th-anniversary celebration of her solo career. It was a special milestone: her first full studio session with a real, swinging big band, fulfilling a long-cherished dream.
The Artistry of Laura Fygi: "The Best Is Yet To Come" (2011) Laura Fygi - The Best Is Yet To Come -FLAC- -2011-
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A poignant, uplifting rendition of the Chaplin classic.
Before diving into the album itself, it's essential to understand the artist. Laura Fygi is a Dutch jazz singer born in Amsterdam on August 27, 1955, to a Dutch father (a Philips manager) and an Egyptian mother (a professional belly dancer), and was raised in Uruguay. This multicultural upbringing gave her a worldly perspective and fluency in multiple languages, elements that would later define her musical style. The 2011 physical CD and digital master pressings
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Born to a Dutch father and an Egyptian mother, Laura Fygi spent part of her childhood in Uruguay, an upbringing that infused her with a distinctively global musical sensibility. After achieving success in the late 1980s with the Dutch pop group Centerfold, Fygi launched her solo jazz career in 1991. Over the two decades that followed, she earned an international reputation for her intimate, late-night vocal delivery, often compared to the deep, seductive stylings of Julie London and the rhythmic, feisty self-reliance of Peggy Lee.
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The album delivers 13 tracks that blend smooth vocal jazz with high-energy big band swing. The Best Is Yet To Come (Title Track)
A melancholic ballad showcasing her emotional depth.
A standout track where Fygi recalls the intense heat to bring a smoky, high-energy interpretation to the Cole Porter classic.
| Format | Compression Type | Audio Quality | File Size | Best For | | :--- | :--- | :--- | :--- | :--- | | | Lossless | Perfect, identical to source | ~40 MB/track (for a 3-4 min song) | Archival, critical listening, high-end systems | | APE | Lossless | Perfect, identical to source | Slightly smaller than FLAC | Legacy audiophile systems | | WAV | Uncompressed | Perfect, identical to source | Large (~10 MB/minute) | Professional studio work | | MP3 (320kbps) | Lossy | Good, but data is discarded | Small (~1 MB/minute) | Portability, streaming, general use |
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