: Drummer Bun E. Carlos noted that the original album sounded like it was "done in a cardboard box". The band wanted to capture the "muscular" and "edginess" typical of Albini’s recording style.
However, the tapes were not lost forever. Rough mixes from the sessions eventually leaked into the trading community. Over the years, these tracks have been passed around via bootlegs, promotional samplers, and eventually, high-fidelity digital rips. The Holy Grail for Audiophiles: The FLAC Rip
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. The Unreleased Steve Albini Sessions (2011) 2 CD SET : Drummer Bun E
The result was a promotional CD so rare that most fans thought it was a bootleg.
These Steve Albini sessions from 1998 were not officially released as an album called “In Color” . The official In Color album is from 1977 and was not produced by Albini. So what you’re looking at is almost certainly a bootleg or fan compilation of outtakes/alternate versions. However, the tapes were not lost forever
"I Want You to Want Me": This is perhaps the most famous transformation. The 1977 studio version is often criticized for being too "dainty." The Albini version is a bar-room rocker that sounds much closer to the famous Budokan live version.
It's a lesser-known fact that rock legends Cheap Trick almost didn't make their 1998 album, . The band had been on hiatus since 1991, and when they reunited in the mid-1990s, they were faced with the daunting task of rekindling their creative spark. The Holy Grail for Audiophiles: The FLAC Rip
If you are looking to explore this specific piece of music history further, tell me:
"Big Eyes": The riffing here is heavier and more menacing, highlighting the band's darker, hard-rock edge. Why FLAC Matters for This Release
Robin Zander’s vocals are dry and upfront, without the glossy 70s reverb.
Officially, these sessions were commissioned for a radio promotion or a limited Japanese re-issue campaign (sources vary, which adds to the mystique). The original CD is a digipak or a simple cardboard sleeve—minimalist, often misprinted.
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