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Beyond the Mountains and Hills (2016) is a critically acclaimed Israeli drama directed by Eran Kolirin that explores themes of moral decay and willful blindness within a suburban family. The film, which premiered in the Un Certain Regard section at the 2016 Cannes Film Festival, focuses on a former military officer struggling to adapt to civilian life. For information about the film and its themes, visit IMDb . Share public link
| | Details | | :--- | :--- | | Director & Writer | Eran Kolirin | | Producer | Eilon Ratzkovsky, Yochanan Kredo, among others | | Cinematography | Shai Goldman | | Music | Asher Goldschmidt | | Running Time | 90-100 minutes | | Production Countries | Israel, Belgium, Germany | | Initial Release | May 15, 2016 (Cannes Film Festival) |
Eran Kolirin’s Beyond the Mountains and Hills ( Me'Ever Laharim Vehagvaot ) is a challenging and powerful Israeli drama that held its world premiere in the section at the 2016 Cannes Film Festival . It marked a significant tonal shift for Kolirin, moving away from the gentle, award-winning comedy of his breakthrough, The Band's Visit , into darker, more corrosive territory.
The Hunt (2012), A Separation (2011), or Leviathan (2014).
Beyond the Mountains and Hills (2016) is an Israeli art-house drama directed by Eran Kolirin that premiered in the Un Certain Regard section at the Cannes Film Festival. The film follows the unraveling of a middle-class family, examining themes of social transition and moral corruption in modern Israel. The film is sometimes available to stream on BEYOND THE MOUNTAINS AND HILLS - Austin Film Society
Beyond the Mountains and Hills Me'ever Laharim Vehagvaot ) is a 2016 Israeli drama directed by Eran Kolirin. It centers on the Greenbaum family, whose members are each grappling with personal and existential crises as they struggle to adapt to modern Israeli society. Movie Overview Beyond the Mountains and Hills (2016) - Plot - IMDb
With a determined look on her face, Maria slung her backpack over her shoulder and set off towards the distant mountains. She had heard stories about a mystical land beyond the peaks, where the air was said to be filled with the whispers of ancient secrets and the earth was rumored to hold hidden treasures.
There is a dinner table scene about 50 minutes in. The family is eating silently. The father (David) gets a phone call that could ruin his best friend’s life. The mother (Yifat) looks at him. No music. Just the sound of a fork scraping a plate.
Their daughter, , is a politically curious and rebellious teenager drawn to left-wing activism. She secretly develops a relationship with a young Palestinian man, an act of defiance that explores the tensions and social boundaries in modern Israel. Their son, Omri , is more introverted, often observing the growing instability around him in troubled silence.

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